Berlin comes to Broadway in one night. This Cabaret is staged as a decadent sanctuary inside Broadway’s August Wilson Theatre, and the whole Kit Kat Club vibe is the point. I like the way the show leans hard into atmosphere, so the night feels more like you’re entering a world than just watching a production from your seat at the back.

Two things I really love: Orville Peck as the Emcee brings sharp energy to the room, and the intimate Kit Kat Club staging keeps the emotional moments close. One consideration up front, though: this production is not suitable for children under 13, so keep it on the adult night list, not the family matinee list.

Key highlights you should know

• Intimate cabaret staging inside the August Wilson Theatre makes the performance feel hands-on.
• Orville Peck and Eva Noblezada headline as Emcee and Sally Bowles for the run through July 20, 2025.
• Running time is 2 hours 45 minutes with one intermission, wrapped in a total 3-hour visit block.
• No photography inside, including flash, video recording, and selfie sticks.
• Ticket price includes admission only. Food and drinks are available to purchase.
• ID requirement at entry: bring a passport or ID card.

Cabaret at the Kit Kat Club: a Broadway night built like a secret den

The big reason to pick Cabaret at the Kit Kat Club is simple: it trades the usual Broadway distance for a feeling of closeness. The show is built around the idea of a decadent sanctuary, with the denizens of the Kit Kat Club creating the mood as much as the performers do. You are not just sitting in a theater. You are stepping into Berlin, at least for the length of the show.

I also like that the production leans into the playful, slightly dangerous instruction the Kit Kat Club gives you. Relax. Loosen up. Be yourself. It is catchy, but it is also a tone-setter. This Cabaret wants you to feel like you are part of the nighttime world it is describing, not just a spectator outside the curtain.

The August Wilson Theatre setup, and what 3 hours really means

Your experience is scheduled as a 3-hour activity. Inside that block, the show runs 2 hours and 45 minutes, including one intermission. That matters because it helps you plan your evening without guessing.

Here’s what you can expect from the flow:

• You start by presenting your ticket at the August Wilson Theatre.
• You then settle in for a full-length musical experience that includes one break, giving you time to step away, freshen up, or grab something from the bar if you want.
• When the show ends, it’s back to the meeting point area, which is the same theater location.

This is the kind of evening where the intermission is not just about convenience. It is also your buffer for the emotional intensity later. If you tend to get wiped out by darker shows, intermission can help you reset your head and stamina.

The stars: Orville Peck as the Emcee, Eva Noblezada as Sally Bowles

Casting is a major part of why this run has attention. Orville Peck plays the Emcee, and Eva Noblezada plays Sally Bowles. If you’re choosing a date based on performance energy, these two roles are the heartbeat of the evening.

There are also a couple of cast attendance notes you should check before you lock in your ticket:

• Orville Peck will not perform on June 5.
• Eva Noblezada will not perform on April 18 and April 29.

So if you’re the type who books for specific stars, double-check the calendar for your exact date. It’s worth it.

Berlin on Broadway: what the show experience feels like

Cabaret is famous for doing something tricky. It can be stylish and theatrical while also asking hard questions underneath. In this Kit Kat Club version, the Berlin vibe is front and center: you get the sense of entering a world where outsiders and misfits rule the night. Even the welcome language, mixing Willkommen and Bienvenue into the experience, signals the show’s global, come-one-come-all tone.

From a practical standpoint, here is why that matters to you as an audience member:

• The close-in staging means performances can land emotionally fast. You feel the shift in tone more than you might in a more distant Broadway layout.
• The atmosphere is part of the storytelling. Even before big numbers, the room feels like it has already set its rules.

And since music, lyrics, and book are all part of what makes Cabaret Cabaret (John Kander, Fred Ebb, and Joe Masteroff, based on the earlier sources), you’re going to get the classic emotional arc. Expect a mix of spectacle and discomfort, with the fun never fully separate from the darker undercurrent.

One intermission and one place to refuel

You get one intermission during the 2 hours 45 minutes running time. During that break, you can take care of practical needs and also deal with the show’s intensity level.

Food and drinks are not included with the ticket, but they are available for purchase. So if you know you want a drink during the show (or at least want something to hold onto during the intermission rush), plan your budget ahead of time.

My advice: decide what you want to do with your body and your attention before you arrive. If you like to stay fully present, commit to using intermission for anything you need, and then give the rest of the show your full focus. The production does not feel built for constant checking out. It works best when you settle in and let it carry you.

Rules that affect your night: photos, flash, and devices

This show is strict about capturing moments. Photography inside is not allowed. The same applies to flash photography, video recording, and selfie sticks. That means you should keep your phone stowed during the performance.

Why I think this rule is worth respecting: it keeps the room looking and feeling like a live cabaret. It also prevents the show from turning into a screen-lit distraction festival. If you rely on photos to remember your trip, set a reminder for yourself to take photos only outside of the performance space, if allowed by the venue, and focus on memory-making in the moment instead.

Also plan around ID. You’ll need a passport or ID card. Bring it, even if you think you already will. Broadway entry checks are easy to mess up when you assume you can wing it.

Price and value: is $68 worth it?

The ticket price listed here is $68 per person, and the ticket includes entry to Cabaret at the Kit Kat Club. Food and drinks are extra.

Is that a good deal? It depends on what you value:

• If you want a Broadway night where the staging and tone pull you in close, you are paying for that “in the room” feeling.
• If you’re mostly after a familiar score in a comfortable, traditional theater setup, $68 might feel steep, because you are paying for atmosphere as much as for music.

In my view, this price makes sense for people who want something more than a standard musical evening. This production’s whole pitch is that it is a glitzy, daring revival that goes all out. If that sounds like your kind of night, then $68 is the entrance fee to a specific experience, not just another ticket stub.

One more budget note: because food and drinks are purchasable but not included, your final cost can climb. If you want to control spending, consider setting a limit for the bar before you go in.

Who should book, and who should skip

This is recommended for guests 13 and up, and it is not suitable for children under 13. Children under age 4 will not be admitted.

So, who does it fit best?

• Adults who like Broadway that feels a little edgy and theatrical.
• People who enjoy shows with atmosphere, close staging, and strong performances at the center.
• Anyone who wants a night that’s part cabaret fun and part emotional punch, not a safe, family-oriented routine.

Who might want to skip?

• If you need a kid-friendly outing or your group includes younger kids, this won’t work.
• If you dislike strict theater rules around phones and cameras, this may feel annoying before the first number even starts.

Should you book Cabaret at the Kit Kat Club on Broadway?

I’d book it if you’re chasing a Broadway performance that feels like you are joining a world, not just sitting through a show. The combination of close-in cabaret staging, headline performances from Orville Peck and Eva Noblezada, and a full-length musical night with one intermission adds up to a strong “one night in NYC” experience.

I would hesitate if your group includes anyone under 13, or if you absolutely need photo-heavy, screen-first entertainment. The rules are firm, and the tone is not trying to be gentle.

Also, double-check your exact date if you care about the Emcee and Sally casting. With Orville Peck and Eva Noblezada having specific non-performance days, it’s smart to confirm your show date before you commit.

FAQ

How long is Cabaret at the Kit Kat Club?

The activity is listed as 3 hours total. The show lasts 2 hours and 45 minutes and includes one intermission.

Where do I present my ticket?

Please present your ticket at the August Wilson Theatre.

Who stars in this production?

Orville Peck stars as the Emcee and Eva Noblezada stars as Sally Bowles through Sunday, July 20, 2025. Orville Peck will not perform on June 5, and Eva Noblezada will not perform on April 18 and 29.

Is photography allowed inside?

No. Flash photography, video recording, and selfie sticks are prohibited, and photography inside is not allowed.

Is food and drink included?

No. Food and drinks are available for purchase, but they are not included in the ticket.

What age is this show suitable for?

This show is recommended for guests 13 and up and is not suitable for children under 13. Children under age 4 will not be admitted.

What do I need to bring?

Bring a passport or ID card.

Is the ticket refundable?

This activity is non-refundable.